How to direct your website visitors to eBooks.com for ebook sales and fulfilment

Hachette, Macmillan and Cambridge University Press are among hundreds of book publishers who refer their website visitors direct to their product pages on eBooks.com. And you can do this too. It’s a simple trick that will take your developer a few minutes to set up. Here’s how…

On your website’s book product pages, add a button or link that says “Buy from eBooks.com” or similar, and add this hyperlink:

https://www.ebooks.com/aff.asp?AID=12345&term=9781429959810

…where 12345 is your persistent identifier (we’ll give that number to you) and “term” is the particular ebook’s ISBN.

If you’d like to join the really cool publishers and support us in this way, just ping us and we’ll get right onto it!

Here’s how it might look:

An example of a publisher (Hachette) who displays an eBooks.com button alongside buttons for Apple Books, B&N and other ebook vendors.
It’s easy to add eBooks.com to your product pages.

How eBooks.com works

Launched in 2000, eBooks.com is the oldest e-bookstore on the web, selling ebooks published by local and global book publishers to a world-wide audience.

eBooks.com operates as a recommendation service and e-bookstore.

Sign up for our email alerts and you’ll receive regular reading recommendations in your fields of interest. Our recommendations are not AI-driven; they are personal recommendations from our team of real, human editors.

As an e-bookstore, we operate much like Amazon or any other online retailer, except that we only sell books in digital form. You can search or browse millions of ebooks. When you find something you’d like to read, buy it and you can be reading in a matter of minutes.

You can download our ebooks to any of thousands of ebook reader devices, as well as your smart phone, tablet or computer. Here’s how:

  1. Buy an ebook
  2. Install suitable ‘reader’ software
  3. Click ‘download’
  4. Start reading

You can access your ebook anytime by logging in to your account at eBooks.com and following these instructions.

How to download an ebook to a PC or Mac

  1. Install Adobe Digital Editions (“ADE”) on your computer. You need this free software in order to unlock and read your ebook. (More info about installing ADE.)
  2. “Authorize” Adobe Digital Editions: With the program open on your computer,
    • click Help >
    • Authorize >
    • select Adobe ID as your eBook vendor and then >
    • type in your Adobe user name and password, or create an Adobe ID if you don’t have one. (More info about authorizing ADE.)
  3. Return to eBooks.com and click Download next to the ebook you want to download.

(You only need to do the first two steps once. In future, just click “Download”.)

Back to Ebooks.com

How to download an ebook to a phone or tablet

  1. Install Ebook Reader app on your device (more info about Ebook Reader app). There are four versions available. Depending on the type of device you have, install one of these:
  2. With the app open, login using the same credentials you used for your eBooks.com account.
  3. Sync the device with your eBooks.com account:
    • On iOS, tap the little circular arrow at the bottom of the page.
    • On Android, scroll down and tap “Books in my eBooks.com account”
  4. Tap on the cover of the ebook you’d like to read.

Back to Ebooks.com

How to transfer an ebook from a computer to an ebook device

You’ll need to have an app called Adobe Digital Editions (“ADE”) installed on your computer and device. Most of the ebooks we sell are locked (encrypted) by their publishers, and this ADE software unlocks ebooks.

It’s likely that ADE is already installed on your device, but that’s not true of all devices, so you should check here to make sure your device is compatible.

If your device is compatible with ADE…

First download the ebook to your computer

  1. Install Adobe Digital Editions (“ADE”) on your computer. You need this free software in order to unlock and read your ebook. (More info about installing ADE.)
  2. “Authorize” Adobe Digital Editions on your computer. With ADE open:
    1. click Help >
    2. Authorize >
    3. select Adobe ID as your eBook vendor >
    4. type in your Adobe user name and password (or create an Adobe ID if you don’t have one). More info about authorizing ADE.
  3. Return to eBooks.com and click Download next to the ebook you bought.

Then transfer the ebook from the computer to the e-reader

  1. Connect the e-reader device via USB to your computer. Do this step before opening ADE. (Otherwise, the application can’t see the device.)
  2. Then launch ADE on your computer.
  3. ADE will detect the device and it will be listed on the left side of the ADE window.
  4. Click on the ebook that you want to transfer and drag it across to the image of your device on the left.

The eBook is now transferred, and you can read it on your e-reader device.

Back to Ebooks.com

How to read online, without downloading

  1. Buy an ebook
  2. It will appear in your online bookshelf
  3. Click the “Read Now” button

Q&A

If I buy an ebook from you, do I actually have possession of the text on one of my devices?

Yes. You can download the entire ebook to your personal computer and devices. But you can also read the ebook online, without downloading anything. It’s up to you.

DRM: What anti-piracy protections are used?

Many of the ebooks sold on eBooks.com are encrypted, to protect the rights of authors. We use Digital Rights Management technology, or “DRM”, to do this. When a file is protected with DRM, you’ll need to install a free, publisher-approved app in order to unlock it. We recommend that you install Adobe Digital Editions (for a computer) or Ebook Reader (for tablets and phones):

For iPhone, iPad or Android devices (Ebook Reader app)

For PC or Mac (Adobe Digital Editions)

For Kindle Fire (Ebook Reader app)

Back to Ebooks.com

How to read an ebook on your computer

There are two ways to read our ebooks on a computer. You can read online (streaming) without installing any software. Or you can download the whole book to your computer; but you’ll need to install an app in order to do that.

It’s like the difference between streaming a song on Spotify or downloading the song file.

Method One: Read online

To read online (without downloading):

  1. Login to eBooks.com, and then
  2. click the Read now button adjacent to the title of the book.

You don’t need to download any software in order to read this way, because your books just open up inside the same browser you use to surf the web. It is compatible with all major browsers.

Method Two: Download

Our ebook files are encrypted to prevent piracy, and you’ll need to install a program in order to successfully download them.

(1) Install Adobe Digital Editions (ADE)

Install ADE here. It’s a very simple process. But if you need help with this, go here: Installing ADE on your computer.

(2) Authorize ADE

Once you’ve installed ADE, you’ll need to “authorise” the software. This step is necessary so your ebooks will unlock when you download them. Here’s how to authorise ADE:

  1. Open ADE on your computer
  2. If you have a book open, please click ‘Library’ to return to Library view
  3. Click ‘Help’
  4. Click ‘Authorize computer…’

On the next screen it will ask you to enter three fields, an ‘eBook Vendor’, your Adobe ID and Password.

For ‘eBook Vendor’, leave this as ‘Adobe ID’. If it doesn’t say ‘Adobe ID’, select it from the drop down menu.

If you already have an Adobe ID, enter your Adobe ID and password in the remaining fields and click ‘Authorize’.

If you don’t have an Adobe ID already, click the link ‘Create an Adobe ID’. This will navigate you to Adobe’s website where you can register an Adobe ID (or you can click here).

Return to ADE and enter your Adobe ID and Password in the remaining fields, and click ‘Authorize’.

Make a note of your Adobe ID and password in case you need to de-authorise your computer and reauthorise a new computer.

(3) Download

Finally, return to your account at eBooks.com and click Download next to the book title.

You only need to do this once

Having installed ADE and authorised it, you won’t need to do it again. Each time you buy a new ebook from eBooks.com, you’ll just click Download and the book will download and open up in Adobe Digital Editions.

Just let us know if you need any help.


See also:

Test drive eBooks.com’s desktop reader app

How eBooks.com Works

Can I use a Kindle to read ebooks bought from eBooks.com?

Our ebooks can be read on thousands of different brands and models of phones, tablets and computers but, if you want to read on a Kindle device, you will need to buy ebooks from Amazon. The Kindle e-reader is a closed, proprietary system. In general, Amazon does not allow people to read ebooks bought from other vendors on a Kindle device. There are two exceptions: 

  1. If you own a particular Kindle model, called Kindle Fire, then you can read our ebooks on that device. But most Kindle models are not suitable to read anything but ebooks bought from Amazon’s Kindle Store.
  2. Some ebooks are supplied without encryption (known as DRM); some publishers allow their ebooks to be sold as simple PDFs or EPUB files. In those cases, yes, users can read those ebooks on any Kindle model. However the vast majority of ebook titles are only available with DRM and therefore are unsuitable for Kindle devices. Here’s some information about DRM.

Managing and sending ebook vouchers

It’s easy to send ebooks to friends. Just find the ebook you want to send and then select Buy multiple copies (for a batch) or Give this ebook to a friend (to send a single copy).

Your friend(s) will receive a voucher code in the form of a hyperlink. When they click on that link, they’ll receive a copy of the ebook.

Do these vouchers expire?

Recipients will be able to submit their vouchers anytime up to 2 years from issue date. Once a user has redeemed their voucher, they own that ebook for life. The book itself doesn’t expire.

What’s the different between a voucher and a gift certificate?

A voucher is for a specific title. So, if you want to send someone a textbook or a title you’re recommending, you’ll send them a voucher.

A gift certificate is for a set amount of money. The recipient can use it to buy any of our ebooks, up to the value of of the certificate

Factoid: 54% of ebooks have no territorial sales restrictions

Managing territorial sales restrictions is a complex, important business. Trade publishers in particular are very concerned that vendors like eBooks.com adhere strictly to the rules they set.

Matthew Dunlop, who is currently leading a complete re-build of the eBooks.com website, took time out to optimise some aspects of our file ingestion system and emerged with these gems:

Of the 1.4 million titles in our database, 54 per cent are allowed to be sold anywhere in the world.

Of the remaining 46 per cent, there are only 11,495 permutations of territorial sales rights.

This last item is interesting because, even though 11,495 seems like a big number, it’s tiny compared with the possible permutations. The possible permutations are a nine with about 20 digits after it. In their metadata for any given ebook, a publisher can specify all or some of the 252 countries the system recognises. The combinations and permutations turn out to be gigantic. But in fact our publishers thoughtfully limit themselves to this minuscule set of territorial rights permutations. For which moderation we are very grateful.

Publishing’s Ratner moment: why eBooks are not ‘stupid’

28 February 2018  Bronwen Thomas, Bournemouth University

In the days before social media – and, presumably, media training – Gerald Ratner’s description of some of the products sold in his chain of jewellers as “total crap” became a byword for the corporate gaffe. Recently the chief executive of publisher Hachette Livre, Arnaud Nourry, seems to have suffered his own “Ratner moment” when he described ebooks in an interview with an Indian news site as a “stupid product”.

The interview, which was intended to address the future of digital publishing and specific issues facing the Indian publishing market, was widely misquoted and Nourry’s comments taken out of context. But there is no denying the fact that the publisher criticises his own industry (“We’re not doing very well”) and attacks ebooks for lacking creativity, not enhancing the reading experience in any way and not offering readers a “real” digital experience.

Some commenters on social media welcomed Nourry’s comments for their honesty. They highlight his seeming support for the idea that publishers should be championing writers and artists working to exploit the creative potential of digital formats to provide readers with experiences that may be challenging and disruptive, but also exhilarating and boundary pushing.

But many of the 1,000-plus commenters reacting to coverage of the story on The Guardian’s website spoke out against “fiddling for the sake of it” – claiming they were not interested in enhanced features or “gamified dancing baloney” borrowed from other media. They also listed the many practical enhancements that ebooks and ereaders do offer. The obvious one is the ability to instantly download books in remote locations where there are no bricks and mortar bookstores. But there are other less obvious enhancements, including being able to instantly access dictionary and encyclopedia entries (at least if you have wifi access) and the option to have the book read to you if you have visual impairments.

Elsewhere, Australian researcher Tully Barnett has shown how users of Kindle ereaders adapt features such as Highlights and Public Notes for social networking, demonstrating that even if ebooks are not that intrinsically innovative or creative, that doesn’t necessarily mean that they can’t be made so by imaginative users.

Nourry clearly isn’t averse to the provocative soundbite – in the same interview he went on to say: “I’m not a good swallower” when asked about mergers and conglomeration in the publishing industry. On the other hand, he also seems very aware of the special place of books and reading in “culture, education, democracy” – so his use of the word “stupid” in this context is particularly inflammatory and insensitive.

Dear reader

My research on digital reading has taught me that debating books vs ereaders is always likely to arouse strong passions and emotions. Merely mentioning the word Kindle has led in some instances to my being shouted at – and readers of “dead tree” books are rightly protective and passionate about the sensory and aesthetic qualities of physical books that the digital version possibly can’t compete with.

Mother and daughter Barbara and Jenni Creswell enjoyed Anne of Green Gables in both print and ebook format. (Image credit: Ray Gibson, Author provided)

But, equally, my research has shown that enhancements in terms of accessibility and mobility offer a lifeline to readers who might not be able to indulge their passion for reading without the digital.

In my latest project, academics from Bournemouth and Brighton universities, in collaboration with Digitales (a participatory media company), worked with readers to produce digital stories based on their reading lives and histories. A recurring theme, especially among older participants, was the scarcity of books in their homes and the fact that literacy and education couldn’t be taken for granted. Our stories also demonstrated how intimately reading is connected with self-worth and helps transform lives disrupted by physical and mental health issues – making comments about any reading as “stupid” particularly damaging and offensive.

I would like to know if Nourry would still call ebooks stupid products after watching Mary Bish’s story: My Life in Books from our project. A lifelong reader who grew up in a home in industrial South Wales with few books, Mary calls her iPad her “best friend” and reflects how before the digital age her reading life would have been cut short by macular degeneration.

The ConversationAs well as demonstrating that fairly basic digital tools can be used to create powerful stories, our project showed that the digital also makes us appreciate anew those features of the physical book we may take for granted, the touch, smell and feel of paper and the special place that a book handed down from generation to generation has in the context of family life.

Bronwen Thomas, Professor of English and New Media, Bournemouth University

This article was originally published on The Conversation. Read the original article.

Australia’s consumer laws still don’t cover ebooks

Benjamin Hayward, Monash University

21 February 2018    Australia’s consumer laws aren’t adequately protecting Australians who buy digital products such as e-books and digital music. If a TV doesn’t work, or an iPod or computer is faulty, the law provides a remedy. The same is true for physical books and music media – but not for their online counterparts.

Under Australian law consumers are entitled to receive goods that are of acceptable quality and fit for their purposes, and that correspond with their description, among other legally enforceable consumer guarantees. But these guarantees apply only to “goods” and “services”.

How digital products fit (or don’t fit) into the goods and services categories has been debated for decades, and the law still hasn’t properly accommodated them.

Australia’s consumer laws went through a major update in 2010, but remain out of date. The digital world moves fast, but our consumer laws remain rooted in a system that assumes “goods” and “services” are the only types of trade. These laws still owe much to sale of goods legislation passed in the United Kingdom all the way back in 1893.

What are consumer laws?

The law generally expects that people and companies entering into contracts are able to look after their own interests. Consumer laws exist to provide additional legal protection to consumers, who are usually in an unequal bargaining position compared to the companies they deal with.

A consumer is someone who acquires goods or services that are ordinarily bought for personal, domestic or household use, or for a price of A$40,000 or less.

Consumer purchases include a range of items – TVs, iPods and computers are just some examples. Where a consumer purchases goods, the law requires that those goods comply with particular consumer guarantees, no matter what the terms and conditions of sale say.

If a new “smart TV” won’t connect to wifi, or if an iPod or computer’s battery doesn’t last as long as it should, the consumer guarantees provide a remedy.It was during the 1980s and through to the 2000s that initial questions arose over how the law treated software. The question at this time was whether software counted as “goods”. A series of court cases found that software was considered goods only if it was supplied within a tangible object – for example, on a disk (later, on a CD or DVD).

Because of this, when consumers started downloading software over the internet they were left without many protections. If software downloaded directly from the internet didn’t do what it was supposed to do, they might have no effective legal rights at all.

In 2010, with the Competition and Consumer Act, the definition of goods was finally amended to include “computer software”. But this still excludes many common digital products, such as e-books and digital music. These do not constitute “computer software” as the law understands it.Recent court proceedings highlight the large gap in the Australian consumer law.

In 2016, the Australian Competition and Consumer Commission brought a Federal Court case against Valve Corporation, alleging it misrepresented consumers’ rights concerning content bought through the Steam video game platform.

Justice Edelman found that Valve Corporation had supplied “goods”, being “computer software”, but also found that “non-executable data was not computer software”, and that such non-executable data could include “music and html images”.

In other words, the computer games were “goods” (attracting the law’s protection) because they were executable programs. This part of the Federal Court’s decision was not challenged in the Full Court of the Federal Court, which dismissed Valve Corp’s appeal in December 2017.

If this definition of computer software is applied in future cases, then there is a legal gap when it comes to other types of digital products. E-books and digital music (among others) require executable files to work, but aren’t themselves executable files, so would not constitute computer software.

If they don’t constitute computer software, they also aren’t goods under the law. And if they aren’t goods, consumers who acquire these digital products don’t obtain the protections and guarantees of Australia’s consumer laws.

The wider consequences of inequality in the law

Beyond this problem for consumers, this legal gap also creates an inequality for retailers. Retailers that deal in physical books and music (whether they are “bricks and mortar” or online) are required to comply with the guarantees and protections under Australian consumer law.

This means that businesses dealing in physical goods incur costs that those that sell only digital equivalents (apart from software) can avoid. Australia is in effect subsidising those who sell only digital products (many of them foreign companies) by not subjecting them to the same legal liabilities.A simple legislative amendment can easily solve this problem. Rather than providing that goods includes “computer software”, a legal provision stipulating that goods include “computer software and other types of digital products” would capture the broader range of products we see in the marketplace today.

We can learn from the United Kingdom, where digital products are given their own dedicated consumer rights regime. The United Kingdom has a series of consumer rights applicable to the supply of goods, the supply of services, and also to the supply of digital content.

Australia doesn’t necessarily need to move this far – yet. But the British legislation could be an interesting model for longer-term consumer law reform in Australia.

Benjamin Hayward, Senior Lecturer, Monash University

This article was originally published on The Conversation. Read the original article.

13 ‘ye olde’ phrases that would be far better in the workplace

Kate Burridge, Monash University

The piece around workplace jargon is moving forward, with the team hitting the ground running. We’ve got our ducks in a row, have drilled down into our learnings — let’s run it up the flagpole and see the result.

Clearly we need to enter 2018 with a fresh set of expressions for the workplace.

Now, I could suggest some spanking-new ones, but lexical novelty comes with risks — besides, we’re all a bit weary of innovation in the workplace.


Read more: Catchphrase to cliché: how corporate-speak became common in our everyday lives


So in the spirit of recycling, I suggest we recruit golden oldies to inject energy into modern managerial jargon, some linguistic gems from the past that deserve a second go.

Reaching out with saucy oars

Linguistic bugbears are always in the eye of beholder, but singing from the same hymn sheet seems to get up most noses. Old nautical jargon might be just what’s needed here, specifically — in the quill or jumping in quill. These are expressions that also meant “working in harmony”.

The quill here isn’t a feather, but an early version of coil (of rope). If you’re all jumping in quill, you’re nicely coiled up in concentric rings, so no need for synergizing either.

The world of business has also given us out over one’s skis. The message is “don’t get too far ahead of yourself”. Skiers I gather are irritated by this one because they feel the imagery is wrong, and those of us who aren’t into winter sports are simply confused.

If the idea is acting prematurely or recklessly, can I suggest we resurrect another couple of nautical expressions? Ships or boats that were rashly venturing were once said to be with saucy rigging or with saucy oars — titillating images for a change:

“They might have been sailing with saucy rigging with that restructure.”

Being loaded for bears when you hit the floor running

Something that makes regular appearances in our workplace memos is getting your ducks in a row, in other words, being organised. Its origin isn’t clear — ceramic flying ducks on a wall, rows of mechanical ducks at the fairground, balls (sitting ducks) lined up to be potted on the pool table.

It could also relate to real live ducks close together and about to be shot, or even the mother duck with her brood. All were possible inspirations.

I’m very tempted to suggest the incorporation of another duck expression here, the 17th century curiosity anatiferous “producing ducks” (from Latin anas (anati) “duck” + ferus “making”)?

But I suspect we need a stronger image for the modern corporate world. So how about being loaded for bear(s), a North American expression from the 19th century that also meant being fully prepared? Here you have to imagine hunters geared up for an bear encounter.

If you’re loaded for bears before the next meeting, you’re ready for anything.

Ideating or bethinking outside the box

The message from many management gurus is that plain and simple English words are what we need to achieve clear communication, and in the interests of de-jargonising modern corporate-speak we could even revive a few.

Sibsomeness, somredness, onehead, onehood all once referred to different aspects of unity of spirit, mind and action. While they lack the profitable association of corporate synergy, that meaning can be supplied:

“The team work resulted in a sibsomeness that was very productive.”

We like to investigate matters meticulously but are thoroughly sick of drilling down or peeling the onion. Now, we could bring back bolting the flour with its different image of a bolting-cloth or sieve. But why not Old English through-seek, with more or less the same meaning and a one thousand year-old pedigree.

The English word furtherhead was overwhelmed by French-inspired priorities and prioritize, and never took off. But as something that can be both noun and verb, it’s a handy replacement for these two foreign-derived expressions:

“The department has failed to futherhead safety within the industry.”

Ferking forthward

Let me finish with going forward, a kind of sentence tag that I equate with the teaspoonful of sugar following the tablespoonful of cod liver oil:

“This is our strategy going forward.”

There’s a fine Old English expression that could replace this overworked corporate morale booster — ferking forthward meaning moving forward, or helping something on its way.

In the modern version of the verb, prepositions are flexible. And whether it’s ferking out, up, off or forward, throughout its long and complicated life this verb has always had direction, action and bucket loads of purpose at its core:

“This ongoing restructuring of the business is a necessary step in creating a leaner organisation ferking up.”

There’s a little extra something here, too. It comes from the subtle vowel change that during the 16th century transformed ancient ferk to the modern-day F-word (undoubtedly this transition was assisted by other sources — successful expressions are usually mongrels).The ConversationNow, I know it’s easy to tilt at the jargon of others. But when expressions start doing something to people’s neck hairs, it’s time to let them go.

Kate Burridge, Professor of Linguistics, Monash University

This article was originally published on The Conversation. Read the original article.

Featured image: Wes Mountain/The Conversation, CC BY-ND

374 reading recommendations from people we trust

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The team at National Public Radio has just shared their top reads for 2017, and it’s a bumper crop. The recommendations come in the form of a web app called the Book Concierge, which lets you sort and filter the selected titles by multiple, sometimes quirky, subject categories.

NPR Book Concierge's funky filters
NPR Book Concierge’s funky filters

Here’s a selection of NPR’s top picks for 2017, but go ahead and visit the Book Concierge and binge on the full range of 2017’s great reads.

  1. Between Them: Remembering My Parents, By Richard Ford
  2. Salt Houses, By Hala Alyan
  3. Greater Gotham: A History Of New York City From 1898 To 1919, By Mike Wallace
  4. Cork Dork: A Wine-Fueled Adventure Among The Obsessive Sommeliers, Big Bottle Hunters, And Rogue Scientists Who Taught Me To Live For Taste, By Bianca Bosker
  5. Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, And Fake News, By Kevin Young
  6. Sour Heart, Stories By Jenny Zhang
  7. White Fur: A Novel, By Jardine Libaire
  8. Autumn, By Karl Ove Knausgaard
  9. I Believe In A Thing Called Love, By Maurene Goo
  10. Now, By Antoinette Portis
  11. Sing, Unburied, Sing, By Jesmyn Ward
  12. Miss Kopp’s Midnight Confessions, By Amy Stewart
  13. Tell Me How it Ends: An Essay in Forty Questions, By Valeria Luiselli